The real stars of this kiln are the new gnome mugs and the ghosts. I don’t know why I’ve never put a gnome on a mug before, they are so cute! I made these ghost mugs last year, but they were all white. I’m loving the evolution this year with the orange and purple on the inside.
For the vinyl ghost mugs, I super wiped around the bottom for these and they still dripped around the handle :(
I definitely like the crochet pieces more now that I’ve been able to hold them in the light and get a better look at the colors. I’m really happy with the pink and orange. I love the purple in some places, and I’m okay with it in others. It definitely works really well over the texture, but I’m less happy with it on the smooth insides.
The blue/green is a different story. It looked so much better on the test tile. I don’t hate it, but I don’t think I’ll be using it again.
I’ve been doing a bunch of tests for my crochet work, and I finally decided to take the plunge and actually glaze some of the pieces. Looking at the top of the kiln, I’m somewhat happy with the results, but not entirely. Now I just need to let everything cool enough to handle so I can get a closer look and decide how I really feel about them!
I’d been watching my elephant ears grow, and just when they were finally big enough to use, a storm ripped holes in them. So I’ve been anxiously waiting for a new set of leaves to grow in. With another week of storms in the forecast, I knew I had to use them while I had the chance.
I’d made this form once before, but that one was also destroyed in a storm. I’ve been wanting to make another ever since.
This piece was more of a creative experiment than anything else. I think it would make a really beautiful bird bath.
I meant to make texture plates last year, but somehow the summer got away from me. I had time in winter, but of course nothing is blooming then. This summer I finally had both the time and plenty of flowers and leaves ready in the garden.
The idea behind these texture plates is simple, they’ll be bisque fired and become reusable tools for creating textured slabs in future pieces. Instead of using fresh plants every time, I’ll be able to press clay into these molds to capture all those beautiful natural details.
My garden is overflowing this time of year, but I had to be selective. I looked for plants that weren’t too thick, since bulky stems and flower heads can push right through the clay. As much as I love my echinacea and Black-eyed Susans, their large blooms just aren’t a good fit for this process.